Sign in or register
for additional privileges

The Making of A Broadside Ballad

Patricia Fumerton, Andrew Griffin, Carl Stahmer, Authors

You appear to be using an older verion of Internet Explorer. For the best experience please upgrade your IE version or switch to a another web browser.

Works Cited: WHY MAKING?

Baker, David J. and Willy Maley. “Introduction: An Uncertain Union.” British Identities and English Renaissance Literature. Ed David J. Baker and Willy Maley. New York: Cambridge University Press, 2002. 1-10. 

Bornstein, George. "How to Read a Page: Modernism and Material Textuality.” Studies in the Literary Imaginations 32.1 (1999): 29-58.

Chartier, Roger. The Order of Books. Palo Alto: Stanford University Press, 1992.

Cormack, Bradin and Carla Mazzio. Book Use, Book Theory: 1500-1700. Chicago: University of Chicago, 2005.

Darnton, Robert. "Extraordinary Commonplaces." New York Review of Books 21 December 2000: 82-87.

-----. “What is the history of books?” Daedalus 111.3 (1982): 65-83.

De Grazia, Margreta. "Imprints: Shakespeare, Gutenberg, and Descartes." Parenting and Paternity in Early Modern England. Ed. Douglas A. Brooks. Burlington, VT: Ashgate, 2005. 29-58.

Egan, Gabriel. The Struggle for Shakespeare's Text: Twentieth Century Editorial Theory and Practice. New York: Cambridge University Press, 2010.

Eisenstein, Elizabeth. “An Unacknowledged Revolution Revisited.” The American Historical Review 107.1 (2002): 87-105.

-----. The Printing Press as an Agent of Change. 2 vols. New York: Cambridge University Press, 1979.

Estill, Laura. "New Contexts for Early Tudor Plays: William Briton, an Early Reader of Gorboduc." Early Theatre 16.2 (2013): 197-210.

Febvre, Lucien and Henri-Jean Martin. The Coming of the Book: The Impact of Printing, 1450-1800. Ed. and trans. Geoffrey Nowell-Smith and David Wootton. New York: Verso, 1976.

Fumerton, Patricia. "Remembering by Dismembering: Databases, Archiving, and the Recollection of Seventeenth-Century Broadside Ballads.” Ballads and Broadsides in Britain, 1500-1800. Ed. Patricia Fumerton and Anita Guerrini. Burtlington, VT: Ashgate, 2010. 13-34.

Grafton, Anthony. “Introduction.” The American Historical Review 107.1 (2002): 84-86.

Guerrini, Anita. “Advertising Monstrosity: Broadsides and Human Exhibition in Early Eighteenth-Century London.” Ballads and Braodsides in Britain, 1500-1800. Ed. Patricia Fumerton and Anita Guerrini. Burtlington, VT: Ashgate, 2010. 109-30.

Johns, Adrian. “How to Acknowledge a Revolution.” The American Historical Review 107.1 (2002): 106-25.

-----. The Nature of the Book. Chicago: University of Chicago Press, 1998.

Lesser, Zachary, and Peter Stallybrass. “The First Literary Hamlet and the Commonplacing of Professional Plays.” Shakespeare Quarterly 59.4 (2008): 371-420.

Marsh, Christopher. Music and Society in Early Modern England. New York: Cambridge University Press, 2013.

McGann, Jerome. The Textual Condition. Princeton: Princeton University Press, 1991.

Murphy, Kevin D. and Sally O'Driscoll. "'Fugitive Pieces' and 'Gaudy Books': Textual, Historical, and Visual Interpretations of Ephemera in the Long Eighteenth Century." Studies in Ephemera: Text and Image in Eighteenth-Century Print. Ed. Kevin D. Murphy and Sally O’Driscoll. Lewisburg: Bucknell University Press, 2013. 1-30.

Pettegree, Andrew. The Book in the Renaissance. New Haven: Yale University Press, 2010.

Ratto, Matt. “Critical Making.” Open Design Now: Why Design Cannot Remain Exclusive. Eds. Bas van Abel and Lucas Evers. Amsterdam: Bis Publishers, 2001. 202-214.

Schnapp, Jeffrey T. and Michael Shanks. "Artereality: Rethinking Craft in a Knowledge Economy." Art School: Propositions for the 21st Century. Cambridge, MA: MIT Press, 2009. 141-57.

Stallybrass, Peter, Roger Chartier, J. Franklin Mowery, and Heather Wolfe. “Hamlet’s Tables and the Technologies of Writing in Renaissance England.” Shakespeare Quarterly 55.4 (2004): 379-419.

St. Clair, William. The Reading Nation in the Romantic Period. New York: Cambridge University Press, 2004.

Syme, Holger Schott. “Where is the Theatre in Original Practice?” Dispositio. Holger Schott Syme. 25 July 2014. Web. 11 October 2014. <http://www.dispositio.net/archives/1942>

Tiramani, Jenny. “Exploring Early Modern Stage and Costume Design.” Shakespeare’s Globe: A Theatrical Experiment. Eds. Christie Carson and Farah Karim-Cooper, New York: Cambridge University Press, 2008. 57-65.

Warner, Michael. The Letters of the Republic: Publication and the Public Sphere in Eighteenth-Century America. Cambridge, MA: Harvard University Press, 1992.

Comment on this page
 

Discussion of "Works Cited: WHY MAKING?"

No comments yet.

Add your voice to this discussion.

Checking your signed in status ...