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The Making of A Broadside Ballad

Patricia Fumerton, Andrew Griffin, Carl Stahmer, Authors

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Works Cited: WHY MAKING?

Baker, David J. and Willy Maley. “Introduction: An Uncertain Union.” British Identities and English Renaissance Literature. Ed David J. Baker and Willy Maley. New York: Cambridge University Press, 2002. 1-10. 

Bornstein, George. "How to Read a Page: Modernism and Material Textuality.” Studies in the Literary Imaginations 32.1 (1999): 29-58.

Chartier, Roger. The Order of Books. Palo Alto: Stanford University Press, 1992.

Cormack, Bradin and Carla Mazzio. Book Use, Book Theory: 1500-1700. Chicago: University of Chicago, 2005.

Darnton, Robert. "Extraordinary Commonplaces." New York Review of Books 21 December 2000: 82-87.

-----. “What is the history of books?” Daedalus 111.3 (1982): 65-83.

De Grazia, Margreta. "Imprints: Shakespeare, Gutenberg, and Descartes." Parenting and Paternity in Early Modern England. Ed. Douglas A. Brooks. Burlington, VT: Ashgate, 2005. 29-58.

Egan, Gabriel. The Struggle for Shakespeare's Text: Twentieth Century Editorial Theory and Practice. New York: Cambridge University Press, 2010.

Eisenstein, Elizabeth. “An Unacknowledged Revolution Revisited.” The American Historical Review 107.1 (2002): 87-105.

-----. The Printing Press as an Agent of Change. 2 vols. New York: Cambridge University Press, 1979.

Estill, Laura. "New Contexts for Early Tudor Plays: William Briton, an Early Reader of Gorboduc." Early Theatre 16.2 (2013): 197-210.

Febvre, Lucien and Henri-Jean Martin. The Coming of the Book: The Impact of Printing, 1450-1800. Ed. and trans. Geoffrey Nowell-Smith and David Wootton. New York: Verso, 1976.

Fumerton, Patricia. "Remembering by Dismembering: Databases, Archiving, and the Recollection of Seventeenth-Century Broadside Ballads.” Ballads and Broadsides in Britain, 1500-1800. Ed. Patricia Fumerton and Anita Guerrini. Burtlington, VT: Ashgate, 2010. 13-34.

Grafton, Anthony. “Introduction.” The American Historical Review 107.1 (2002): 84-86.

Guerrini, Anita. “Advertising Monstrosity: Broadsides and Human Exhibition in Early Eighteenth-Century London.” Ballads and Braodsides in Britain, 1500-1800. Ed. Patricia Fumerton and Anita Guerrini. Burtlington, VT: Ashgate, 2010. 109-30.

Johns, Adrian. “How to Acknowledge a Revolution.” The American Historical Review 107.1 (2002): 106-25.

-----. The Nature of the Book. Chicago: University of Chicago Press, 1998.

Lesser, Zachary, and Peter Stallybrass. “The First Literary Hamlet and the Commonplacing of Professional Plays.” Shakespeare Quarterly 59.4 (2008): 371-420.

Marsh, Christopher. Music and Society in Early Modern England. New York: Cambridge University Press, 2013.

McGann, Jerome. The Textual Condition. Princeton: Princeton University Press, 1991.

Murphy, Kevin D. and Sally O'Driscoll. "'Fugitive Pieces' and 'Gaudy Books': Textual, Historical, and Visual Interpretations of Ephemera in the Long Eighteenth Century." Studies in Ephemera: Text and Image in Eighteenth-Century Print. Ed. Kevin D. Murphy and Sally O’Driscoll. Lewisburg: Bucknell University Press, 2013. 1-30.

Pettegree, Andrew. The Book in the Renaissance. New Haven: Yale University Press, 2010.

Ratto, Matt. “Critical Making.” Open Design Now: Why Design Cannot Remain Exclusive. Eds. Bas van Abel and Lucas Evers. Amsterdam: Bis Publishers, 2001. 202-214.

Schnapp, Jeffrey T. and Michael Shanks. "Artereality: Rethinking Craft in a Knowledge Economy." Art School: Propositions for the 21st Century. Cambridge, MA: MIT Press, 2009. 141-57.

Stallybrass, Peter, Roger Chartier, J. Franklin Mowery, and Heather Wolfe. “Hamlet’s Tables and the Technologies of Writing in Renaissance England.” Shakespeare Quarterly 55.4 (2004): 379-419.

St. Clair, William. The Reading Nation in the Romantic Period. New York: Cambridge University Press, 2004.

Syme, Holger Schott. “Where is the Theatre in Original Practice?” Dispositio. Holger Schott Syme. 25 July 2014. Web. 11 October 2014. <>

Tiramani, Jenny. “Exploring Early Modern Stage and Costume Design.” Shakespeare’s Globe: A Theatrical Experiment. Eds. Christie Carson and Farah Karim-Cooper, New York: Cambridge University Press, 2008. 57-65.

Warner, Michael. The Letters of the Republic: Publication and the Public Sphere in Eighteenth-Century America. Cambridge, MA: Harvard University Press, 1992.

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